Top Shelf Music — Curated Music Library for Brands and Agencies | Swell

Top Shelf Music — Curated Music Library for Brands and Agencies

Updated 05/19/2026

Top Shelf Music is a curated music licensing platform built by Swell Music + Sound — designed specifically for brands, ad agencies, and production companies who need music that feels alive and specific, not the same five tracks every competitor is running this quarter.

4,700+ pre-cleared tracks. 250+ independent artists. Artist-controlled licensing terms. Category exclusivity negotiable per project.

Browse the catalog at topshelf.music →

Why Top Shelf exists

Library music has a problem. The major platforms — Artlist, Epidemic Sound, Musicbed — are massive catalogs optimized for volume. Any brand, any agency, any creator can license the same track. The hip, indie-coffee-shop acoustic guitar song you licensed? Seventeen other brands may have licensed it this quarter.

Top Shelf is built differently. The catalog is hand-picked for cultural fit — not just cleared and available, but actually good, actually current, actually connected to the communities it sounds like. The music is sourced from working independent artists, not bulk-produced for licensing.

Elad Marish and Michael Frick built Top Shelf because they were doing music supervision for campaigns at the highest level — Nike, Meta, Amazon, the Obama Foundation × Jordan Brand — and they kept having the same problem: the right music wasn’t in any existing library. So they built the library they wished existed.

“We’re not adding to the catalog, we’re providing the layer that was always missing.”

— Top Shelf Music

What makes Top Shelf different

  • Culture-first curation. Every track is hand-picked. No algorithm, no bulk uploads. The catalog reflects what’s actually happening in music — not what was trending 18 months ago when it was submitted to a platform.
  • Pre-cleared rights. Both sides — master use and sync license — are resolved before you search. No weeks-long clearance risk. You find the track, you license it, you’re done.
  • Not overexposed. Top Shelf Music is built specifically to avoid the stock music coincidence problem. Tracks are not cross-licensed to every brand at volume. You won’t find your competitor’s ad using the same track next week.
  • Artist-controlled terms. Independent artists set their own licensing terms and pricing. Equitable deal structures, fair compensation — the platform is built on the idea that good music licensing is good for artists, not just buyers.
  • Category exclusivity available. Negotiate category exclusivity per project if the track needs to belong to your brand in your category.
  • Prompt-searchable and MP3-matchable. Search by vibe, genre, and feel — or upload an MP3 to find audio-similar tracks. The catalog is built for how creative teams actually work.

Who Top Shelf is built for

  • Ad agencies doing music supervision in-house who need a reliable source of culture-forward tracks without the clearance risk of major-label licensing.
  • Brand marketing teams managing high content volume — social, digital, experiential — who need a consistent-sounding library that actually reflects their brand’s cultural positioning.
  • Production companies working on branded content who need music that serves the editorial tone of the piece, not music engineered to sound generically acceptable.
  • DTC brands building sonic consistency across a cluttered content calendar. The brands that sound cohesive across Reels, YouTube, paid social, and podcasts are the ones who defined a sonic palette and stuck to it. Top Shelf is a starting point for that palette.

Selected placements

Tracks from the Top Shelf Music catalog have been placed in campaigns for:

  • Nike
  • Meta
  • Amazon
  • Obama Foundation × Jordan Brand
  • Golden State Warriors
  • Dunkin’ (“Bluebird” — Valentine’s Day campaign)

The “Sirius” track placed in the Obama Foundation × Jordan Brand collaboration has accumulated over 109,000 creator uses.

Top Shelf vs. mainstream library platforms

Top Shelf Music Mainstream library platforms
Curation approach Hand-picked by working music supervisors Volume-based submissions, algorithm-sorted
Rights clearance Pre-cleared both sides before you search Varies — some require separate master clearance
Exclusivity Category exclusivity negotiable Non-exclusive in most cases
Paid advertising coverage Yes — built specifically for commercial use Subscription plans often exclude paid advertising
Artist economics Artist-controlled terms, equitable splits Varies — many platforms use flat buy-out models
Cultural currency Tracks sourced from working independent artists Often designed for commercial acceptability

Top Shelf Music and Swell: how they work together

Top Shelf Music is the licensing platform. Swell Music + Sound is the production studio. They’re built to work together.

When a brand or agency comes to Swell for a campaign, music search starts with Top Shelf — a catalog built specifically for this use case. If no existing track fits, Swell writes something custom. If the campaign needs supervision, clearing, and negotiation across the full market (including major-label tracks), Swell handles that too.

The result: one relationship covers the full music spectrum — from culture-first library tracks to fully custom original scores. See our custom music service. See our full audio post production service.

Licensing through Top Shelf

Licensing is straightforward. Browse the catalog, find the track, license directly. Transparent pricing scaled to your actual use — platform, territory, and term. No weeks-long negotiation. No separate master and sync clearance process.

For projects with specific exclusivity requirements, large-scale brand partnerships, or multi-campaign licensing structures, contact Swell directly and we’ll work out the terms.

Visit topshelf.music to explore the catalog →

Or contact Swell: [email protected] · 415-772-5588

Swell
Your Story Our Sound