Custom Music for Advertising & Branded Content | Swell

Custom Music for Advertising & Branded Content

Custom Music for Advertising and Branded Content

Custom music for advertising is original music composed specifically for your campaign — built around your brief, your edit, and your brand. Nobody else gets it. It lives and breathes your creative.

At Swell Music + Sound, custom music composition is our core craft. We've written original scores for Nike, Postmates, Atlassian, the Golden State Warriors, Meta, and dozens more — from 6-second mnemonics to full campaign sonic identities. Custom library tracks start at $5,000. Scored originals with demos start at $10,000.

"The question isn't whether your brand sounds like something. It does — even if it's a random library track that a different brand licensed last week. The question is whether it sounds like you."

— Elad Marish, Founder \& ECD, Swell Music + Sound

Custom music pricing

Swell publishes its rate card. No mystery pricing, no fishing for budget. Here's what custom music costs:

Package What you get Price
Custom library track One original track built for your brief, from our 4,700+ track catalog as ideation base. Full stems, unlimited use. $5,000
Original score — 1 demo One compositional direction, up to 5 rounds of revision, full stem delivery. $10,000
Original score — 5 demos Five distinct compositional directions, up to 5 rounds of revision on selected direction, full stem delivery. $15,000
Original score — 8 demos Eight compositional directions, up to 5 rounds of revision on selected direction, full stem delivery. $18,000

All score packages include custom library pulls for the ideation phase. Hourly studio and engineering rate for work outside these packages: $375/hr. Contact us for voiceover, sonic branding systems, and multi-spot campaign pricing.


When custom music is the right call

Custom music is not always the answer. Here's when it is:


What custom music gets you that library can't


Selected custom music work

Postmates — "Fun \& Fresh" sonic palette

Postmates came to Swell wanting a custom sonic palette — a family of original tracks they could drop into any spot or campaign, purpose-built so every piece of content sounded like Postmates. The result replaced the cycle of licensing generic library tracks for each campaign. One custom library, deployed across a full brand year.

Meta — 500 custom tracks per year

Seven years of original music for Meta Reels. Approximately 500 tracks per year, approximately 100 independent artists engaged through Top Shelf Music. Tracks placed in Obama Foundation × Jordan Brand campaigns and Dunkin's Valentine's Day campaign. Over 109,000 creator uses across the catalog.

Golden State Warriors — Season-long custom sonic identity

Four seasons of custom music including Sounds of the Holidays, built from approximately 100 captured arena sounds — shoe squeaks, hoop swishes, ticket scans — and Pre-Tip music for the jumbotron. View case study →

Atlassian — Campaign music and voiceover

Custom music and voiceover production for one of the Bay Area's most recognizable tech brands. Long-running collaboration with the Atlassian marketing team.

CrunchLabs — YouTube original compositions

Original music and sound design for Mark Rober's CrunchLabs YouTube channel, including custom scores for viral engineering content with tens of millions of views. View case study →


The hybrid play: custom and library together

The most sophisticated brands don't choose one or the other — they choose both strategically. Custom music for brand-defining work: launch campaigns, hero spots, sonic branding systems. Library music for fill-in work: social content, evergreen explainers, low-stakes digital assets where the music is texture, not brand voice.

Swell provides both. Our sister platform Top Shelf Music offers 4,700+ pre-cleared, culture-first tracks for projects where library is the right call. We help you decide which is which — and execute both. See our music strategy guide.


How the custom music process works

  1. Brief and reference call. We review the cut (or script/boards if pre-production), your brand guidelines, and 3–5 reference tracks. You tell us what about each reference you want — tempo, instrumentation, energy, emotional register. The more specific the better.
  2. Ideation and library pull. We pull from our 4,700+ track library to establish sonic direction before a note is written. This step saves time and eliminates creative misalignment before you've invested in original composition.
  3. Composition and demos. Original tracks composed to brief. The number of demos depends on your package (1, 5, or 8). Each demo represents a distinct compositional direction.
  4. Revision rounds. Up to 5 rounds of revision on the selected direction. We stay in dialogue — not watermarked-MP4-notes-only. The best music happens when the agency is in the session.
  5. Stem delivery. Full stems delivered alongside the final mix — so your editors and producers can build cut-downs, adjust levels, or deploy the music across formats without coming back to us for every variation.

Testimonials

"I've had a great experience working with Swell for voiceover and sound design. They're true pros who make the technical side easy to navigate and their friendly, approachable style makes the whole process enjoyable."

— Lena Brooks, Atlassian

"We love working with Swell! We're so happy to have found amazing audio post partners in the Bay."

— Douglas Stivers, Executive Producer, Cutwater Agency

Start a custom music project

Most projects start with a 30-minute call. Send us the cut, your brief, and your timeline. We'll scope the project honestly and tell you exactly what custom music will cost — and whether it's the right answer for what you're making.

Start a project →

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